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ABC. 3/2/2004.
Alberto García Reyes.
"...the Source, Saint Moneta..."
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GRANADA HOY. 4/2/2004.
Jorge Fernández Bustos.
"...La Moneta dances seguiriyas that provoke tears and laughter of pure emotion from the audience..."
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IDEAL. 4/2/2004.
Carlos Arbelos.
"...if anything charactreizes her way of dancing it is the vital passion and the sweeping force that she stamps upon her choreography..."
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EL MUNDO. 5/4/2004.
Manuel Martín Martín.
"...disturbing rhythms and surly suggestiveness but flamenco till it hurts..."
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EL MUNDO. 5/2/2005.
Manuel Martín Martín.
"... la granadina se nos antoja como un inesperado descubrimiento al simbolizar la intima devoción por lo autentico..."
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ABC. 1/10/2005.
Manuel Ríos Ruiz.
"...a spirited dancer, who feels the joy of what she does, exceptional in the zapateados, tense in her arm gestures, she seeks the intensity of brilliance, and she achieves it with her wide repertory of postures, movements, sweeps, steps and stamps..."
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EL PAÍS. 3/10/2005.
Ángel Álvarez Caballero.
"...She enters the dance slowly, as if she were thinking about what she will do, and suddenly lets loose a zapateado with such force, control and at great speed. All of her dance is like this, done with determination and done very well..."
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EL MUNDO. 4/10/2005.
Alfredo Grimaldos.
"...nowadays, when flamenco dancers are doing well-rehearsed routines, it's refreshing to find a young artist who dares to be different. And she does it convincingly..."
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DIARIO DE SEVILLA. 22/2/2006.
Juan Vergillos.
"... art of suggestion, of possession. Art that breaks you on the inside..."
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DE FLAMENCO.COM. 28/2/2006
Stela Zatania.
"...she is, as her nickname suggests, a beautiful young woman, but if we're unable to take our eyes off her, it's mostly because of her wonderful dancing. "
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INFORMACIÓN DE JEREZ. 28/2/2006.
Pepe Martín.
"...After seeing her yesterday,'la Moneta' demonstrated she has before her a future full of success..."
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FLAMENCO WORLD. 23/4/2006.
Silvia Calado.
"...she gives each style exactly what is required, from her gestures to her choreography..."
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